Wednesday, August 19

Addicted to Love

"Your lights are on, but you're not home. Your mind is not your own. 
Your heart sweats, your body shakes. Another kiss is what it takes.
You can't sleep, you can't eat. There's no doubt, you're in deep. 
Your throat is tight, you can't breathe. Another kiss is all you need.

You like to think that you're immune to the stuff, oh yeah.
It's closer to the truth to say you can't get enough.
You know, you're gonna have to face it, you're addicted to love."
Addicted to Love, lyrics by Robert Allan Palmer

August is Romance Awareness Month, and readers of romance novels are addicted to love! Romance novels are big business, according to the Romance Writers of America website. The romance fiction genre is worth 1.08 billion dollars a year - a third larger than the inspirational book industry and the size of the mystery genre and science fiction/fantasy genre markets combined. Romance novels are considered "the beating heart" - no pun intended - of the publishing industry and the top revenue-generating literary category in the U.S. Even as the publishing industry as a whole has struggled, especially during the digital age, the romance genre has thrived. In the U.K. alone, a romantic novel is purchased every two seconds. 

And yet, romance novels are not winning any major literary awards. Even though they regularly appear at the top of the New York Times, Publishers Weekly, and USA Today bestseller lists, the romance novel has long been the target of literary snobbery and ridiculed as a less worthy genre by its critics. As a librarian who has read hundreds of romance novels, addressing this criticism will hopefully bring greater awareness during a month dedicated to romance.

According to Romance Writers of America, romance novels have a formula that consists of two basic elements: a central love story and an emotionally satisfying and optimistic ending. The focus of the central love story centers around two individuals falling in love, facing struggles and conflicts, and resolving or overcoming those conflicts before the final page. According to the website, "romance novels may have any tone or style, be set in any place or time, and have varying levels of sensuality - ranging from sweet to extremely hot." The CMRLS library collections include various romance novel genres, series, and single-titles. The sub-genres range from Inspirational to Erotic, from Historical to Contemporary, from Paranormal to Suspense. Even the subgenres have divisions. Historical novels alone cover periods of time such as Medieval, Georgian, Edwardian, Colonial, and wartime eras. Despite the variety, romance novels are considered by a more literary crowd as formulaic fluff. Critics of the genre have one major complaint: romance novels are not realistic. Champions of the genre often argue that hunger is not a game and the dead do not walk; however, when it comes to the lowly love story, no arguments satisfy the literary elite.

A personal favorite, the Regency romance novel is a sub-genre set during the British Regency or early 19th century. Regency romances are a distinct genre with their own idealistic and chivalrous plots, along with suitable period customs, conduct, and conventions. Often, readers who are addicted to this genre appreciate the extensive research, hierarchy groundwork, and descriptive imagery that elevates the historical setting and family pedigree. But, mostly, they just love the storyline. The hero starts out as tormented or misunderstood, but always as handsome as Apollo. Even though they might be of different stations, the heroine is the one person who makes his life complete. After a proposal that includes a confession of undying love and life-long fidelity, readers are treated to the infamous epilogue.

Actually, there is a not-so-literary and not-so-nice term for readers who are addicted to the epilogue at the end of a romance novel. These readers are epilogue junkies, and they never recover. No matter how much one is tempted otherwise, the reader must wait until the very end for a well-written epilogue. Afterward, readers can close the romance novel, hold the book close to their heart, and smile for a few minutes - thoroughly smitten, captivated, charmed, and entranced. In a Covid-19 world of elections, protests, and uncertainty, the unfailing surety of the epilogue provides a much-needed fix...if only for a few, fleeting moments. Despite cardboard characters with no depth or shallow plots or even too-bizarre-to-believe happy endings, the romance reader always returns to the billion-dollar industry for another fix - aptly defined as a thing or activity that gives a person a feeling of euphoria or pleasure that is difficult to do without. 

"You can't eat, you can't sleep, there's no doubt you're in deep." What better month than Romance Awareness Month to be addicted to love.

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